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A Little Less Conversation, Quay Theatre, Sudbury,
Wednesday January 29 2003
'Great
sensitivity and style' East Anglian Daily Times
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A Little Less Conversation, Gordon Craig Theatre,
Stevenage, Monday September 16 2002
The following article by Paul Brackley appeared in
the Hertfordshire Mercury on 20/9/02
Tribute performance fit for the King
In
1964 Elvis was said to be terrified of The Beatles and
the threat they posed to his musical supremacy. The
fact was not lost on 'Words and Music', a Lennon and
McCartney tribute act charged with warming up the Gordon
Craig audience on Monday for Elvis impersonator Paul
Lillie and his ten piece band. Paul Lillie had no fears
about being upstaged though. From the moment he burst
on in black leather trousers and jacket accompanied
by two frolicking dancers, the audience was gripped.
Soon gyrating across the stage to edge of sleaze 'Polk
Salad Annie', Lillie kept the audience guessing with
a set list that avoided many of the most established
classics. Instead this was a sophisticated pre-jumpsuit
Elvis, whose songs were suffused with soul and funk,
but who could also belt out rock'n'roll like it was
going out of fashion. A rousing 'Proud Mary' soon gave
way to the gentle simplicity and almost painful loneliness
of 'Love Me Tender', which proved that, however strong
the backing group, an Elvis impersonator is no greater
than his voice. Lillie invited the scrutiny, he revelled
in it, and he had the voice to pull it off. Blessed
with the same deep, trembling tones of his icon, Lillie
paid tribute in fine style. And he even survived a broken
microphone, which struck just as a belting rock'n'roll
medley threatened to take the roof off. Far from being
'All shook up', Lillie simply poached a mike from his
most enthusiastic backing singer, whose partner would
do well to emulate her smooth moves and soaring opera-esque
vocals. The backing pair came to life during 'If I Can
Dream', however, before two uproarious encores prompted
a growing band of gyrating fans to dance in the aisles.
This was Lillie's only UK date in the 25th anniversary
year of Elvis's death, and he made the most of it as
'King Creole' brought the first encore to a riotous
close, before the rejuvenated 'A Little Less Conversation'
delighted the capacity crowd. Lillie then trapped the
audience with the legendary 'Suspicious Minds' for his
final showpiece. And as he walked off to fervent applause,
it was the departing audience who were prompted to utter
that immortal line:'Thank you very much.
Paul Brackley
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